Art of the Story in the Classical and Modern Arabic Literature

  • Professor Dr Salahuddin Bin Mohd Shamsud
  • Siti Sara Binti Hj. Ahmad, Dr. Dean: Faculty of Arabic Language (Co Islamic University Sultan Sharif Ali, Brunei Darussalam https://orcid.org/0000-0002-6426-2558
Keywords: One Thousand and One Night, Standings, Disciples and Cyclones, Message of Forgiveness, Message of Ḥayyi Ibn Yaqdhān, Story of Salāmān and Absāl

Abstract

The story appeared in the prose later than the poetic epic and drama in the world literature. The story was the last literary genre that had emerged in the world literatures. It was free from the restrictions of the literary criticism and least committed to the rules of criticism. This freedom made it to take urgent steps towards the progress in the modern age, overtaking the other genres in the performance of the humanitarian message of the literature. Therefore, it obtained a superiority and a social and artistic status among the other literary genres in the grand literatures.

            There were some narrative elements in the ancient epic that helped the emergence of narrative prose in Greek literature in the second century AD for the first time. The story had the nature of epic at that time, which was included the metaphysical adventures, magic and supernatural things. The events of story in that era were running around the separation of couple, horrific dangers, frightening scenes and obstacles that were counted as a reason of the separation between them, but they crossed all those obstacles by some unusual ways. Then there was an happy ending by the meeting held between them.

            In this article we study six stories entitled: “One Thousand and One Night”, “Disciples and Cyclones”, “Message of Forgiveness”, “Message of Ḥayyi b. Yaqdhān” and Story of Salāmān and Absāl. There are some religious stories of prophets mentioned in Quran, but the art of technical story was not intended by them.

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Author Biography

Siti Sara Binti Hj. Ahmad, Dr. Dean: Faculty of Arabic Language (Co, Islamic University Sultan Sharif Ali, Brunei Darussalam

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References

[1] Hilᾱl. Muḥammad Ghunaymī. Emotional life between the pure love and mysticism. Cairo: House of the renaissance of Egypt. Faggala. P. 294. See the text: (Sufism is a doctrine based on call to glorify the passion and depend on the heart brimming with the feeling and sensation. This is the origin of their assets originated with all the characteristics to be baptized with their literature and affected by them in their behavior. To prove this fact – as a historical perspective - we see a strong resemblance between the Sufi literature and Romantic literature. Movement of Romanism was influenced by the philosophy of Plato in love, as well as the Sufi movement was also affected by that, they both had one historical literary source, affected by it together.)
[2] Badawī. ʾAmīn ʿAbd al-Majīd. Story in Persian literature. Cairo: House of the Knowledge. Pp. 88-89
[3] Ibn al-Nadīm. The index. P. 304
[4] Hilᾱl. Muḥammad Ghunaymī. Comparative Literature. Pp. 222-223
[5] Al-Thaʻlabī. Unique of the time. Cairo: Part: 4. P. 257. Ḥijᾱzī Press. See: Nadᾱ. Ṭᾱhᾱ. Comparative Literature. P. 174
[6] Brockelmann. History of Arabic Literature. Cairo: House of the Knowledge. P. 29. P. 112
[7] A number of authors have talked about this poem, like: Ibn al-Nadim in (The index), Yᾱqūt Al-Ḥimawī in (Dictionary of the countries), Al-Qazwīnī in (The effects of the countries) and the others.
[8] Hilᾱl. Muḥammad Ghunaymī. Comparative Literature. P. 224-227
[9] Al-Ḥimawī. Yᾱqūt.Dictionary of the writers. Part 2. P.161
[10] Ibid. Part 1. P. 221 Cairo, 1948
[11] Ibn Khallikᾱn. Wafayᾱt al-Aʻyᾱn, Bulaq edition. P. 598
[12] Nadᾱ. Ṭᾱhᾱ. Comparative Literature. P. 193
[13] Ibid. P. 194
[14] Khafagy. Muḥammad ʿAbd al-Munʻim. Studies in Comparative Literature. P. 31
[15] Hilᾱl. Muḥammad Ghunaymī. Comparative Literature. P. 23
[16] Ibid. Pp. 234-235
[17] Ibid. P. 240
[18] Ibid. P. 241
[19] Ibid. Pp. 232-233
[20] Ismaʻīl ʾAdham. (1938). Tawfīq al-Hakīm. Cairo: P. 18
[21] Ḍaif. Shawqī. Art and its doctrines in Arabic Prose. Cairo: House of the knowledge. P. 392
[22] Ḍaif. Shawqī. Contemporary Literature in Egypt. P. 209
[23] Al-ʿArīnī. Aḥmad Muḥammad. Phenomenon of impact and influencing in Arabic literature. Riyadh. P. 126
[24] Khafagy. Muḥammad ʿAbd al-Munʻim. Studies in Comparative Literature. Cairo. P. 28
[25] Ḍaif. Shawqī. Contemporary Arabic literature in Egypt. Pp. 210-211
[26] Hilᾱl. Muḥammad Ghunaymī. Modern Arab Criticism. Pp. 493-572
Published
2018-03-31
How to Cite
Shamsud, P. D. S. B. M., & Binti Hj. Ahmad, S. S. (2018). Art of the Story in the Classical and Modern Arabic Literature. IJRDO- Journal of Educational Research, 3(3), 70-89. https://doi.org/10.53555/er.v3i3.1893